I am thinking differently about this. the castration thing, which I see as party with
impotence thing. as a source of power thing.
I used to see the nill fill as a fold in a nitwork of impotence.
but — that has changed — rearranged, into it being about control, and my maintaining control, while writing across time, as something, that is beyond me
and behind me,
and same time liable to be sullen and dreadful they are the char and its burning coal
occurs everyday in the writing. everyday I am leaning out the window by my feet, hanging on to the drapes,
in translations of allegory which I can now hink of —
as wind blown time sheers.
which btw use book on schillling (sp) by you — re discovery of word = change time element, to having a history, or creating a history, and gods as its dimension of sorts. and allegory -- its sensitivity to poetry as a presence in the language
seeing across time into allegorical, as sympathetic with the real
Europe has been Fascist since the Roman Empire. Fascism and White Supremacism are the milk on which Europeans - and their offspring in the colonies - are reared. Liberalism is a form of Fascism - and you see how ready Liberals are to bomb brown-skinned people to impose their Liberalism on them. Let's not forget that it was slave-trafficking Fascists like John Locke who turned racism into a science. You see how many of our white Liberals are supporting Apartheid and Genocide in Palestine - just as they supported Apartheid and Genocide in Africa, the Americas and Australia. It's very difficult for a European to be anything other than a Fascist. It takes a lot of work - and most Europeans are not willing or able to do that work.
I am not going to comment on this except to say that if anyone wants to read a truly great, subtle analysis of the relationship between beauty/esthetics and proto-fascism, the should read the works of my professors, Lacoue-Labarthe and Nancy, more specifically, L'Absolu litteraire and Le mythe nazi.
I am thinking differently about this. the castration thing, which I see as party with
impotence thing. as a source of power thing.
I used to see the nill fill as a fold in a nitwork of impotence.
but — that has changed — rearranged, into it being about control, and my maintaining control, while writing across time, as something, that is beyond me
and behind me,
and same time liable to be sullen and dreadful they are the char and its burning coal
occurs everyday in the writing. everyday I am leaning out the window by my feet, hanging on to the drapes,
in translations of allegory which I can now hink of —
as wind blown time sheers.
which btw use book on schillling (sp) by you — re discovery of word = change time element, to having a history, or creating a history, and gods as its dimension of sorts. and allegory -- its sensitivity to poetry as a presence in the language
seeing across time into allegorical, as sympathetic with the real
is diff than being in time,
tribs cribs libs … bibs… the sea tin
Europe has been Fascist since the Roman Empire. Fascism and White Supremacism are the milk on which Europeans - and their offspring in the colonies - are reared. Liberalism is a form of Fascism - and you see how ready Liberals are to bomb brown-skinned people to impose their Liberalism on them. Let's not forget that it was slave-trafficking Fascists like John Locke who turned racism into a science. You see how many of our white Liberals are supporting Apartheid and Genocide in Palestine - just as they supported Apartheid and Genocide in Africa, the Americas and Australia. It's very difficult for a European to be anything other than a Fascist. It takes a lot of work - and most Europeans are not willing or able to do that work.
I am not going to comment on this except to say that if anyone wants to read a truly great, subtle analysis of the relationship between beauty/esthetics and proto-fascism, the should read the works of my professors, Lacoue-Labarthe and Nancy, more specifically, L'Absolu litteraire and Le mythe nazi.